Netflix is about to introduce 59 new unique issues in July, together with a number of new seasons of in style TV reveals, completely new sequence, new motion pictures, new documentaries, and even some new anime.
There’s a brand new season of Umbrella Academy, a high-profile Charlize Theron movie, a sequel to the favored teen romcom The Kissing Sales space, a closing season of the favored sports activities documentary sequence Final Likelihood U, and the extremely anticipated remake of The Babysitters Membership. Fairly frankly, it’s lots. That 59 quantity doesn’t account for extra licensed content material the streamer will introduce subsequent month, both. Zack Snyder’s Sucker Punch, Spaceballs, Cloud Atlas, and The Karate Child trilogy are additionally touchdown on Netflix on July 1st.
By simple arithmetic, Netflix can have shut to 2 new unique titles for each single day of July and a plethora of recent licensed content material on high. Look, the corporate is straight up flexing.
Disney Plus, HBO Max, Hulu, Apple TV Plus, and Amazon Prime Video are arguably 5 of Netflix’s greatest rivals. Quibi, to a lesser extent, can also be in that pool. Not one of the companies come near including the variety of originals that Netflix will subsequent month.
A few of these companies, like HBO Max and Quibi, are understandably behind, given how new they’re. Each corporations are additionally coping with originals scheduled to debut at launch being delayed due to the pandemic. However whereas Quibi is struggling tenfold as a result of it doesn’t provide licensed content material, HBO Max can pull in titles from its HBO, Warner Bros., TBS, TNT, and different arms to complement choices. HBO Max has a handful of recent unique titles, however most are catalog additions (albeit, a ton of them).
At six months previous, Disney Plus and Apple TV Plus’ rollouts are slower than Netflix, which has made unique content material for seven years. Disney Plus has two main additions — Muppets Now and Hamilton — however most July additions are older Disney and Nationwide Geographic titles. Apple TV Plus, in the meantime, has the not too long ago acquired Greyhound starring Tom Hanks and Sara Bareilles’ Little Voice.
Whereas Hulu has plenty of licensed titles coming in from its content material companions, there are solely a few new July originals — together with Andy Samberg’s Palm Springs, which made information in January after turning into the most costly film ever purchased at Sundance Movie Competition for $17.5 million. Amazon Prime Video has a handful of recent originals, together with Dave Bautista’s anticipated My Spy, which it acquired from STX, and a brand new season of the streamer’s coming-of-age thriller, Hanna. Like Hulu, Amazon Prime Video can even add an assortment of recent licensed titles, together with all 5 seasons of The Fosters, which is leaving Netflix in July.
How is it that Netflix can have a month with 59 originals premiering when different streamers are reportedly slowing down their output due to the pandemic? Or how can Netflix have so many movies able to go when different studios — together with Warner Bros., Disney, Common, Paramount, and Sony — are delaying theirs and determining what their 2020, 2021, and 2022 schedules appear to be?
A part of it’s that Netflix works a lot in another way. Full seasons of every present drop directly so Netflix is compelled to shoot a whole season fairly far prematurely. And since Netflix is a worldwide firm, filming has additionally resumed in nations and states that permit it. Plus, the corporate has greater than 200 initiatives at present being labored on remotely. That features scripted programming that’s already been shot, animated sequence, motion pictures, and an assortment of different titles that Netflix has deliberate for the subsequent 12 months or so.
“Our 2020 slate of series and films are largely shot,” Ted Sarandos, the corporate’s chief content material officer, advised analysts throughout the firm’s latest quarterly earnings name, “and are in post-production stages in locations all over the world. And we’re actually pretty deep into our 2021 slate. We don’t anticipate moving the schedule around much, and certainly not in 2020.”
However the principle issue right here is that Netflix’s dedication to unique content material is paramount. Executives discovered early on how a streaming mannequin has to work to be able to survive, and that success is being seen now in the midst of a pandemic whereas others are struggling. Netflix realized early on that content material, above every thing else, was key to conserving folks engaged with its service every day.
That’s why the corporate ramped up manufacturing tenfold. By the point Netflix began to comprehend that different corporations would wish to enter the direct-to-consumer streaming market for themselves as an alternative of licensing to Netflix, the corporate was already knee-deep in determining its technique to provide extra unique initiatives world wide.
By 2017, Netflix mentioned greater than 50 p.c of its content material funds would go to growing its personal sequence and movies. It’s a hefty funds, too — one which reportedly is available in at simply over $18 billion in 2020 alone. That features content material from world wide, which Netflix can then place on its streaming service globally. One in every of Netflix’s hottest reveals in the USA is Spain’s Cash Heist, for instance.
Netflix can have practically 60 unique issues land on its streaming service in July within the US alone as a result of that is the spot it was all the time constructing towards. Streamlining its personal unique content material implies that it isn’t beholden to theatrical releases from different studios and community schedules; Netflix has practically full management over what seems on its platform and when. Netflix is sitting again feeling fairly cozy — and if that’s not straight up flexing, I don’t know what’s.