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Thor Four Set Video Previews Re-Enactment Of Mjölnir’s Destruction in Ragnarok

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Thor 4 Set Video Previews Re-Enactment Of Mjölnir’s Destruction in Ragnarok

A brand new set video for Thor: Love and Thunder previews the dramatization of Mjönlir’s destruction by the hands of Hela beforehand seen in Thor: Ragnarok.

Thor: Love and Thunder set video affords a glimpse at its stage play re-enacting the destruction of Mjölnir in Thor: Ragnarok. The God of Thunder’s beloved hammer was destroyed very early on in Taika Waititi’s first MCU movie by the hands of Hela.

Manufacturing for Chris Hemsworth’s fourth standalone film as Thor is at the moment in full swing in Australia after getting pushed again as a result of coronavirus pandemic. Since work started earlier this yr, numerous photographs from the set have emerged together with the primary take a look at the God of Thunder’s up to date look. Extra just lately, unofficial Love and Thunder images reveal the rebuilding of previous Asgard the place one other dramatization will as soon as once more happen. This time, nonetheless, as a substitute of Loki’s faux demise, it can re-create Odin’s demise instantly adopted by Hela’s first look in Ragnarok.

Associated: Thor 4: Melissa McCarthy’s Faux Hela Ought to Set Up Actual Villain’s Return

Courtesy of XRealm Matthews is a brand new video from the set of Love and Thunder revealing a snippet of the film’s play scene that includes Luke Hemsworth as faux Thor, Melissa McCarthy as faux Hela, and Matt Damon as faux Loki. The clip reveals the half in Ragnarok the place the Goddess of Demise crushes Mjölnir in her palms after which the God of Mischief calling onto Heimdall to take him and his brother again to Asgard. Test it out under:

What’s attention-grabbing right here is that Mjölnir is predicted to consider Love and Thunder‘s narrative; Hemsworth’s stunt double was noticed wielding it on the set for the film indicating the hammer will make an look exterior of this play. Apart from that, it is also anticipated for use by Jane Foster as she turns into the Mighty Thor within the upcoming blockbuster. So seeing it getting destroyed through the aforementioned scene solely emphasizes the thriller of how it will return, doubtlessly for good within the sequel. Whereas the weapon appeared in Avengers: Endgame with each Thor and Captain America having the possibility to make use of it, the Tremendous Soldier introduced it again to its unique timeline in order to not create any branched timeline simply as Sensible Hulk promised the Historic One.

Thor: Ragnarok might have frolicked destroying a few of the signature parts of the God of Thunder’s sub-franchise, signaling a recent begin for him within the MCU, nevertheless it looks as if Thor: Love and Thunder is bringing those self same issues again. As beforehand talked about, previous Asgard is being rebuilt probably on Earth following the unique planet’s destruction. Hopefully, just like the Mjölnir’s anticipated return, there is a justified purpose for this. In any other case, it may solely cheapen the impression of its destruction which got here with its personal classes discovered for Thor.

Extra: Thor Four Cannot Undo Asgard’s Destruction (With out Hurting Ragnarok & Endgame)

Supply: XRealm Matthews

  • Black Widow (2021)Launch date: Might 07, 2021
  • Shang-Chi and the Legend of the Ten Rings (2021)Launch date: Jul 09, 2021
  • Eternals (2021)Launch date: Nov 05, 2021
  • Spider-Man: No Manner Dwelling (2021)Launch date: Dec 17, 2021
  • Thor: Love and Thunder (2022)Launch date: Might 06, 2022
  • Physician Unusual within the Multiverse of Insanity (2022)Launch date: Mar 25, 2022
  • Black Panther 2 (2022)Launch date: Jul 08, 2022
  • Captain Marvel 2 (2022)Launch date: Nov 11, 2022

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VIDEO: Better of Spherical 28 – LFP

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VIDEO: Best of Round 28 - LFP

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Your private knowledge is processed by the Ligue de Soccer Professionnel (an affiliation ruled by the French regulation of July 1st, 1901, whose headquarters are positioned 6, Rue Léo Delibes 75116 Paris – France –“ the LFP”) for the next functions and based on the next authorized foundation: with a purpose to handle your subscription and your account : efficiency of Web site’s GTU; with a purpose to ship you personalised communication and transmit it to our companions, enabling them to ship communications and presents : your consent ; with a purpose to reply to contact requests, for the LFP to ship common info, to help the Web site enchancment and the realisation of statistics surveys : professional curiosity pursued by the LFP consisting in following up on requests and solutions (besides concerning the train of information topics’ rights on their private knowledge), but in addition to advertise its exercise and enhance its Websites and communication paperwork ; with a purpose to reply to the train of private knowledge’s rights : compliance with a authorized obligation to which the LFP is topic as a knowledge controller. The LFP can transmit knowledge to its middleman service suppliers, its companions along with your consent, to the interior providers of the LFP.

The LFP designated a knowledge safety officer (DPO) who will be contacted by mail: “à l’attention du DPO de la LFP – 6 Rue Léo Delibes 75116 Paris – FRANCE” or, if you train your rights, by filling the devoted type.

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The Viral Singing Starbucks Buyer TikTok Video Is Not What You Suppose

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Starbucks drive-thru

A TikTok video of a lady singing to a Starbucks worker who shut the drive-thru window on her has gone viral—nevertheless it’s not what you assume.

Within the video, the lady within the automobile begins singing: “Thanks for giving me this drink, you’re fairly cute,” to the Starbucks employee, however he closes the window on her and walks away.

The lady then says to the passenger in her automobile: “Did he simply shut that? I am so embarrassed,” because the passenger calls the worker impolite.

The video has been considered greater than 700,000 on TikTok and greater than 1.5 million instances on Twitter and has sparked a dialog about individuals utilizing service staff for social media content material.

On Twitter, it was shared by Asia Chloe Brown, who stated: “Service employees not tolerating individuals utilizing them for content material >>>>” in a tweet that has been favored greater than 200,000 instances.

Twitter customers have been angered by the clip, like @_RealShante who stated: “Human beings haven’t any empathy, who desires to be at work doing their job and need to cope with individuals appearing like idiots for clout.”

Twitter consumer @robingoodzmusic stated: “the quantity of pure bliss that overcame me when he shut the window is unmatched.”

Nonetheless, though there are many challenges and traits that contain filming service employees for social media consideration, the video that has impressed this dialogue just isn’t what it appears.

In a follow-up TikTok, the lady, Tanja, or @tanjewest on TikTok, stated: “Hey everybody, you really will not imagine what occurred. I ended up baning on the drive-thru window and climbed by it. I did get him fired however now we’re on our technique to our first date. Thanks all for all of the love.”

She then turns the digital camera in the direction of the Starbucks employee who’s sitting within the automobile along with her.

However even this isn’t totally true. In a remark underneath the follow-up video @tanjewest stated: “He is my husband y’all however the video wasn’t staged—we visited him at work and needed to embarrass him so I began singing after I pulled up.”

Tanja’s TikTok account is filled with movies of herself and her husband, Ben, together with a video from October 2020 that amassed 6.three million views and 1.eight million likes during which she says that she by accident sprayed her coworker with pepper spray 4 years in the past and is now married to him.

The video included clips of Ben recovering from the pepper spray adopted by clips from their marriage ceremony day.

One other video sees Tanja fake that her husband is a homeless man that she noticed on her stroll and took into her dwelling, earlier than giving him a makeover, and saving his life.

Whereas the dialog taking place on Twitter about pranking service employees for social media content material is legitimate, it might appear as if the one individuals getting pranked by Tanja are these watching her TikTok movies.

Newsweek has contacted Tanja for remark.

Normal view of the Hollywood Starbucks Drive-Through on August 11, 2020 in Los Angeles, California. A viral TikTok of a Starbucks buyer singing to an worker just isn’t what it appears.
AaronP/Bauer-Griffin/GC/Getty

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Newly restored video of Martha and the Vandellas at Ford plant

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Newly restored video of Martha and the Vandellas at Ford plant
Brian McCollum
 
| Detroit Free Press

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It’s one of many quintessential items of Detroit footage from the 1960s — a younger, exuberant Martha and the Vandellas singing Motown inside an auto manufacturing unit.

The group’s “Nowhere to Run” video was taped because the kickoff phase for a nationwide CBS present in June 1965 referred to as “It’s What’s Happening Baby,” hosted by New York disc jockey Murray the Ok.

Till now, the video hasn’t aired in its entirety since that evening in summer time ’65.

“For Ford, it was kind of a pocket endorsement for the Mustang, which was new at the time,” mentioned Peter Altschuler, son of the late radio persona. “They mentioned, ‘Positive, you may movie in right here, however provided that you are selling the automobile.'”

The “Nowhere to Run” clip was not too long ago remastered for the primary time, a part of a meticulous restoration of the CBS present’s unique low-band videotape.

The whole restored “It is What’s Occurring Child” program will air at 7 p.m. Saturday on Detroit Public Tv and PBS stations throughout the nation.

ExtraMotown, Detroit star in TV particular airing for first time in 56 years

Shot inside Dearborn Meeting, now often called the Rouge advanced, “Nowhere to Run” options Martha Reeves, Rosalind Ashford and Betty Kelly miming the recorded observe as they romp amongst Mustangs in manufacturing.

At one level, in a transfer that may draw stern appears from right now’s security officers, the women climb into an unfinished Mustang and roll down the road.

Reeves says she was “half asleep” on the best way to the early morning video shoot, however she has vivid, pleased reminiscences of her frolic by means of the Ford plant.

The upbeat spirit wasn’t precisely reciprocated by each employee there.

“We didn’t complain — we simply acquired cursed at lots by the fellows engaged on the road. And I imply cursed,” Reeves says. “It wasn’t, ‘There go the Motown artists! Hello, ladies, pleased morning!’ It wasn’t something like that, honey. They had been pondering: ‘This work is difficult sufficient. Now we have to place up with these ladies working round in right here?'”

Nonetheless, Reeves and her group mates “had been on a mission” that day, she says, delighted to crew up with a DJ who was an enormous supporter of their music.

And he or she is aware of that diploma of entry to a bustling auto plant was a uncommon alternative.

“That was a monumental second. They will by no means let anyone else do this once more,” Reeves says. “I’m eternally grateful to the Fords for that have.”

“Nowhere to Run” was considered one of a number of Motown movies shot in Detroit for the Murray the Ok particular, together with scenes at Greenfield Village and musical segments with the Supremes, the Miracles, Marvin Gaye, Mary Wells and the 4 Tops.

They’re all fascinating glimpses of younger Detroit artists of their prime. However the Martha and the Vandellas video is high of the lot: With its distinctive setting — sizzling music on an meeting line — it’s virtually a Motown metaphor come to life.

Contact Detroit Free Press music author Brian McCollum: 313-223-4450 or bmccollum@freepress.com.

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Mazepin won’t say whether or not he apologised to girl in grope video · RaceFans

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Nikita Mazepin, Haas, 2021

Haas driver Nikita Mazepin refused to say whether or not he has apologised to Andrea D’lval, the lady he was seen groping in a video he posted on social media in December.

Talking to media for the primary time for the reason that incident three months in the past, Mazepin confirmed he was the one who uploaded the video and never D’Ival, as was claimed on the time.

“I take the responsibility for my actions, I’m very firm in that,” he stated. “In regards to the video coming on to social media, I can say it was in my hands that I’ve put it there.”

Nonetheless he refused to say whether or not he had apologised for grabbing her breast whereas the pair sharing a automobile collectively.

“I think her privacy matter is very important in this case,” stated Mazepin. “I don’t think it would be correct for me to bring other people into this very wide media discussion. And that’s why I’m not going to do that.”

In a 20-minute convention involving media together with RaceFans, Mazepin confronted sustained questioning over the incident earlier than journalists had been requested to handle different topics. The video, which has prompted sturdy criticism from followers, appeared eight days after Haas introduced the System 2 driver will race for them this 12 months.

Mazepin stated he was “not proud” of the incident and that he “didn’t behave as I’m meant to behave being in Formula 1.” He stated he had been gradual to understand the completely different expectations folks would have of him after his promotion.

“Graduating to Formula 1 and being a Formula 1 driver means that all of a sudden you become an example to a lot of young kids who are aiming to get to the same championship. So with that you have to bring a certain way of behaviour towards yourself.

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“I haven’t done it instantly because I was too late to realise that, unfortunately. In regards to what I’ve learned it’s quite clear first of all with the behaviour that you are meant to bring with yourself and second how you are meant to act on social media and off social media.”

Haas reveals Mazepin’s father’s firm as new title sponsor for 2021

“Obviously the transition phase between Formula 2 and Formula 1 is very big,” Mazepin added. “So there’s a lot on your mind. The learning curve is very steep when you have to get into your first race. So obviously that takes the very big part of your brain capacity.”

Haas strongly criticised the emergence of the video in December, describing it as “abhorrent” on the time. Mazepin stated his staff has been “very helpful” in direction of him since then.

“I would like to say a big thank you to the team because they have been really supportive in helping him to learn through this incident,” he stated.

“They’ve been very patient in taking the time and helping me learn this matter further and I think that in my education phase on the whole behaviour incident I’m way further than I have ever been. So that’s very helpful.”

The staff has been inundated with complaints about their resolution to maintain Mazepin of their line-up for the upcoming season. He hopes he can show he deserves a spot in System 1.

“I’m not going to be able to put words in people’s mouths. I am pretty sure that I will be delivering on-track. I’m confident that with the effort I’m putting in and with the actions I’m taking. The results will be there and I’m going to try to have the racing do the talking.”

Requested whether or not he understood his actions within the video had been improper, Mazepin stated: “Yes, I understand.

“I have taken the responsibility for it as I said previously, both on and off the circuit. We as human beings have to show a certain behaviour towards each other to live in a calm and, you know, ‘humanity’ world. So I’m confident that I will be one of those humans from now.”

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Velocix Expands SaaS portfolio With Cloud-Native Video Recording

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Velocix Expands SaaS portfolio With Cloud-Native Video Recording




Velocix Expands SaaS portfolio With Cloud-Native Video Recording



















































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Velocix expands SaaS portfolio with cloud-native video recording supervisor

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Velocix expands SaaS portfolio with cloud-native video recording manager

Cambridge, March 04, 2021 (GLOBE NEWSWIRE) — Velocix, the market’s main supplier of carrier-grade video streaming and promoting know-how, has expanded its portfolio of absolutely managed software-as-a-service (SaaS) functions with the launch of a brand new cloud-native video recording administration service known as Cloud VRM.

Cloud VRM options an elastically scalable platform that orchestrates and automates IP-based video recording workflows for cloud DVR and time-shifted video functions. The service delivers a complete, time-shifted viewing expertise to customers on each linked display, utilizing an structure that’s unbiased of the middleware and pre-integrated with a number of recording engine options.

Jim Brickmeier, Chief Product & Advertising and marketing Officer at Velocix, stated: “We are committed to offering video service providers the most flexible, efficient, and cost-effective solutions in the marketplace, which is why we are so excited to announce Cloud VRM. With its cloud-native design, pay-as-you-go economics and fully hosted and managed deployment options, operators can take advantage of our Emmy® Award-winning recording technology, while lowering their upfront investment and accelerating their time-to-market.” 

Cloud VRM’s newly launched multi-tenancy options are designed to attenuate operators’ scale-out prices by orchestrating recording companies throughout a number of websites and geographies utilizing a typical software program deployment. This reduces start-up time and operational bills by eliminating the necessity for recording administration infrastructure on-site.

Cloud VRM helps private-copy, shared-copy, and hybrid cloud DVR functions, in addition to time-shifted video capabilities, similar to program restart and catchup TV. Superior recording administration options embody per-user recording and storage quotas, collection recording, cross-device bookmarking, content material lifecycle administration, rules-driven rights compliance, and configurable storage optimization.

The corporate’s absolutely managed SaaS portfolio additionally consists of Cloud VPP, Velocix’s dynamic advert insertion resolution for addressable and programmatic TV promoting, which was launched in December 2020.

Further details about Velocix’s portfolio is accessible at www.velocix.com.

Image:  

Caption: Velocix expands SaaS portfolio with Cloud VRM cloud-native video recording supervisor

About Velocix
Velocix is the world’s main supplier of content material supply, origin and storage, and stream personalisation software program and we’re Making Video Private, on each linked display. Our know-how is used to have interaction, entertain, and inform tens of millions of individuals across the globe, each single day. We assist customers join with the content material they love by constructing merchandise which can be extra responsive to non-public viewing preferences, making each video expertise extra rewarding. We work intently with our prospects, together with telecommunications, cable, and on-line video service suppliers, to assist them navigate a quickly altering video market, to allow them to lead the transformation, compete extra successfully, and develop their companies. Velocix is a part of Lumine Group, which is an working group of Constellation Software program (TSX:CSU). Go to velocix.com 

For additional info, please contact: 

Jim Brickmeier, CPO/CMO, Velocix 
+1 404 964-8495 | jim.brickmeier@velocix.com

Neil Sharpe, Head of Product Advertising and marketing, Velocix 
+44 7876 828 286 | neil.sharpe@velocix.com

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Velocix expands SaaS portfolio with cloud-native video recording supervisor

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Velocix expands SaaS portfolio with cloud-native video recording manager

Cambridge, March 04, 2021 (GLOBE NEWSWIRE) — Velocix, the market’s main supplier of carrier-grade video streaming and promoting expertise, has expanded its portfolio of totally managed software-as-a-service (SaaS) functions with the launch of a brand new cloud-native video recording administration service referred to as Cloud VRM.

Cloud VRM options an elastically scalable platform that orchestrates and automates IP-based video recording workflows for cloud DVR and time-shifted video functions. The service delivers a complete, time-shifted viewing expertise to shoppers on each linked display, utilizing an structure that’s unbiased of the middleware and pre-integrated with a number of recording engine options.

Jim Brickmeier, Chief Product & Advertising and marketing Officer at Velocix, mentioned: “We are committed to offering video service providers the most flexible, efficient, and cost-effective solutions in the marketplace, which is why we are so excited to announce Cloud VRM. With its cloud-native design, pay-as-you-go economics and fully hosted and managed deployment options, operators can take advantage of our Emmy® Award-winning recording technology, while lowering their upfront investment and accelerating their time-to-market.” 

Cloud VRM’s newly launched multi-tenancy options are designed to reduce operators’ scale-out prices by orchestrating recording providers throughout a number of websites and geographies utilizing a typical software program deployment. This reduces start-up time and operational bills by eliminating the necessity for recording administration infrastructure on-site.

Cloud VRM helps private-copy, shared-copy, and hybrid cloud DVR functions, in addition to time-shifted video capabilities, similar to program restart and catchup TV. Superior recording administration options embrace per-user recording and storage quotas, collection recording, cross-device bookmarking, content material lifecycle administration, rules-driven rights compliance, and configurable storage optimization.

The corporate’s totally managed SaaS portfolio additionally contains Cloud VPP, Velocix’s dynamic advert insertion resolution for addressable and programmatic TV promoting, which was launched in December 2020.

Extra details about Velocix’s portfolio is on the market at www.velocix.com.

Image:  

Caption: Velocix expands SaaS portfolio with Cloud VRM cloud-native video recording supervisor

About Velocix
Velocix is the world’s main supplier of content material supply, origin and storage, and stream personalisation software program and we’re Making Video Private, on each linked display. Our expertise is used to interact, entertain, and inform thousands and thousands of individuals across the globe, each single day. We assist shoppers join with the content material they love by constructing merchandise which are extra responsive to non-public viewing preferences, making each video expertise extra rewarding. We work intently with our prospects, together with telecommunications, cable, and on-line video service suppliers, to assist them navigate a quickly altering video market, to allow them to lead the transformation, compete extra successfully, and develop their companies. Velocix is a part of Lumine Group, which is an working group of Constellation Software program (TSX:CSU). Go to velocix.com 

For additional data, please contact: 

Jim Brickmeier, CPO/CMO, Velocix 
+1 404 964-8495 | jim.brickmeier@velocix.com

Neil Sharpe, Head of Product Advertising and marketing, Velocix 
+44 7876 828 286 | neil.sharpe@velocix.com

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WhatsApp provides voice and video calls to its desktop app

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WhatsApp adds voice and video calls to its desktop app

One-on-one voice and video calling is now lastly accessible on WhatsApp’s desktop app for Window and Mac. The Fb-owned messaging service solely provided the function on its cellular app till late final yr, when it began testing it by rolling it out to pick out desktop customers. Chosen testers noticed name and video chat icons marked “Beta” within the chat header — now that the function is formally accessible on desktop, everybody can use it each time they need to speak to their contacts on an even bigger display. 

In its announcement, the service mentioned it has seen “vital will increase in folks calling each other on WhatsApp, typically for lengthy conversations” over the previous yr. That does not come a shock, seeing as folks have been utilizing video and voice calling providers extra for the reason that pandemic hit to remain in contact with family and friends within the midst of lockdowns and quarantines. “With so many individuals nonetheless other than their family members, and adjusting to new methods of working, we wish conversations on WhatsApp to really feel as near in-person as doable, no matter the place you’re on the earth or the tech you’re utilizing,” the announcement continued.

By providing video calls on an even bigger display, specifically, customers will be capable to see their family members extra clearly. Additionally, it’s going to liberate their fingers to allow them to transfer round or do different issues in the course of conversations. WhatsApp’s voice and video requires desktop work in each portrait and panorama orientation, seem as standalone home windows customers can resize and are set to at all times seem on prime of different open functions. 

For the time being, solely one-on-one end-to-end encrypted calls can be found in an effort to make sure they will work completely on desktop. That mentioned, WhatsApp guarantees to increase the function to incorporate group voice and video calls sooner or later.

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Roger Stone dances in pro-Trump rap video – CNN

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Roger Stone dances in pro-Trump rap video - CNN

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